The Stagehand
A defining entry in the Top 100 Film. Sitting at number 44, The Stagehand earned its place through a combination of craft, context, and consensus among the twenty-four editors who maintain this list. The companions immediately above and below it on this ranking are worth reading in the same sitting.
Position in the list
About this entry
A defining entry in the Top 100 Film. Sitting at number 44, The Stagehand earned its place through a combination of craft, context, and consensus among the twenty-four editors who maintain this list. The companions immediately above and below it on this ranking are worth reading in the same sitting. The editors’ note placed it here on the basis of three criteria: durability across re-reads (or re-watches, or re-plays), influence on the entries that came after it, and the degree to which it could only have been made by the person — or team — who made it.
In the comparative table maintained by the Film desk, The Stagehand sits within a band of 41 – 47 that contains some of the most contested swaps of the year. Editors vote with arguments; a swap requires three editors and one written defense.
From Wikipedia
The State and Revolution: The Marxist Theory of the State and the Tasks of the Proletariat in the Revolution is a book written by Vladimir Lenin and published in 1918 which describes his views on the role of the state in society, the necessity of proletarian revolution, and the theoretical inadequacies of social democracy in achieving revolution to establish the dictatorship of the proletariat.
